Fullers Leila Essay -- Margaret Fuller Leila Papers

Methodological Introduction New historicism is premised upon an ideological attempt to wed the practice of history and literary criticism. In this type of textual analysis, the literary work is juxtaposed with historical events (characteristic of the time period in which the work was produced) in an effort to understand the implications within the text. This line of inquiry serves to recover a "historical consciousness" which may be utilized in the rendering of literary theory. "Poems and novels came to be seen in isolation, as urnlike objects of precious beauty. The new historicists, whatever their differences and however defined, want us to see that even the most unlike poems are caught in a web of historical conditions, relationships, and influences."[1] Such an introspective framework ultimately contributes to a wide variety of conceptualizations in literary analysis; such as Marxism, Feminist criticism, and post-structuralism. This attempt to contextualize literary works in a historical manner is also supp lemental to more conventional types of literary analysis such as deconstructionism. New historicism, however, tends to be representative of a postmodern project which inevitably leads scholars to question the application of historical concepts as an ideological tool in literary analysis. The attempt to establish a connection between a literary text and historical event is often reflective of the paradigms characteristic to the practice of writing history. These paradigms foster a notion of exclusivity which may actually hinder a literary analysis. Such an introspective framework ultimately contributes to a wide variety of conceptualizations in literary analysis; such as Marxism, Feminist criticism, and post-structuralism.... ...ted to sex-based discrimination as determined by the cult of domesticity. Because of the social implications of Transcendentalist thought, the actualization of Leila in the spiritual realm would serve to redefine nineteenth century gender-based exclusiveness within the social context. Bibliography Lawrence Buell. Literary Transcendentalism, Cornell University Press(Ithaca, 1973). Capper, Charles. Margaret Fuller: An American Romantic Life-The Private Years. Oxford University Press(New York, 1992). Murfin, Ross. "What is New Historicism?" in The Scarlet Letter. Nathaniel Hawthorne. Boston: Bedford Books of St Martin's Press, 1991. Kornfeild, Eve. Margaret Fuller: A Brief Biography with Documents. Bedford Books(New York, 1997). Steele, Jeffrey, ed. The Essential Margaret Fuller. Rutgers University Press(New Brunswick, 1992).

Frostbite Chapter 3

Three THE LOBBY OF MY DORM was abuzz when I sprinted downstairs to my before-school practice. The commotion didn't surprise me. A good night's sleep had gone far to chase away the images from last night, but I knew neither I nor my classmates would easily forget what had taken place outside Billings. And yet, as I studied the faces and clusters of other novices, I noticed something weird. The fear and tension from yesterday were still around, certainly, but something new was there too: excitement. A couple of freshmen novices were practically squealing with joy as they spoke in hushed whispers. Nearby, a group of guys my own age were gesturing wildly, enthusiastic grins on their faces. I had to be missing something hereunless all of yesterday had been a dream. It took every ounce of self-control I had not to go over and ask somebody what was happening. If I delayed, I'd be late for practice. The curiosity was killing me, though. Had the Strigoi and their humans been found and killed? That would certainly be good news, but something told me that wasn't the case. Pushing open the front doors, I lamented that I'd just have to wait until breakfast to find out. â€Å"Hath-away, don't run-away,† a singsong voice called. I glanced behind me and grinned. Mason Ashford, another novice and a good friend of mine, jogged up and fell in step with me. â€Å"What are you, twelve?† I asked, continuing on toward the gym. â€Å"Nearly,† he said. â€Å"I missed your smiling face yesterday. Where were you?† Apparently my presence at the Badica house still wasn't widely known. It wasn't a secret or anything, but I didn't want to discuss any gory details. â€Å"Had a training thing with Dimitri.† â€Å"God,† muttered Mason. â€Å"That guy is always working you. Doesn't he realize he's depriving us of your beauty and charm?† â€Å"Smiling face? Beauty and charm? You're laying it on a little thick this morning, aren't you?† I laughed. â€Å"Hey, I'm just telling it like it is. Really, you're lucky to have someone as suave and brilliant as me paying this much attention to you.† I kept grinning. Mason was a huge flirt, and he liked to flirt with me in particular. Part of it was just because I was good at it and liked to flirt back. But I knew his feelings toward me were more than just friendly, and I was still deciding how I felt about that. He and I had the same goofy sense of humor and frequently drew attention to ourselves in class and among friends. He had gorgeous blue eyes and messy red hair that never seemed to lie flat. It was cute. But dating someone new was going to be kind of difficult when I still kept thinking about the time I was half-naked in bed with Dimitri. â€Å"Suave and brilliant, huh?† I shook my head. â€Å"I don't think you pay nearly as much attention to me as you do your ego. Someone needs to knock it down a little.† â€Å"Oh yeah?† he asked. â€Å"Well, you can try your best on the slopes.† I stopped walking. â€Å"The what?† â€Å"The slopes.† He tilted his head. â€Å"You know, the ski trip.† â€Å"What ski trip?† I was apparently missing something serious here. â€Å"Where have you been this morning?† he asked, looking at me like I was a crazy woman. â€Å"In bed! I only got up, like, five minutes ago. Now, start from the beginning and tell me what you're talking about.† I shivered from the lack of movement. â€Å"And let's keep walking.† We did. â€Å"So, you know how everyone's afraid to have their kids come home for Christmas? Well, there's this huge ski lodge in Idaho that's exclusively used by royals and rich Moroi. The people who own it are opening it up for Academy students and their familiesand actually any other Moroi who want to go. With everyone in one spot, they're going to have a ton of guardians to protect the place, so it'll be totally safe.† â€Å"You can't be serious,† I said. We reached the gym and stepped inside out of the cold. Mason nodded eagerly. â€Å"It's true. The place is supposed to be amazing.† He gave me the grin that always made me smile in return. â€Å"We're going to live like royalty, Rose. At least for a week or so. We take off the day after Christmas.† I stood there, both excited and stunned. I hadn't seen this coming. It really was a brilliant idea, one that let families reunite safely. And what a reunion spot! A royal ski lodge. I'd expected to spend most of my holiday break hanging out here and watching TV with Lissa and Christian. Now I'd be living it up in five-star accommodations. Lobster dinners. Massages. Cute ski instructors †¦ Mason's enthusiasm was contagious. I could feel it welling up in me, and then, suddenly, it slammed to a halt. Studying my face, he saw the change right away. â€Å"What's wrong? This is cool.† â€Å"It is,† I admitted. â€Å"And I get why everyone's excited, but the reason we're getting to go to this fancy place is because, well, because people are dead. I mean, doesn't this all seem weird?† Mason's cheery expression sobered a little. â€Å"Yeah, but we're alive, Rose. We can't stop living because other people are dead. And we have to make sure more people don't die. That's why this place is such a great idea. It's safe.† His eyes turned stormy. â€Å"God, I can't wait until we're out of here in the field. After hearing about what happened, I just want to go tear apart some Strigoi. I wish we could go now, you know? There's no reason. They could use the extra help, and we pretty much know everything we need to.† The fierceness in his voice reminded me of my outburst yesterday, though he wasn't quite as worked up as I'd been. His eagerness to act was impetuous and na?ve, whereas mine had been born out of some weird, dark irrationality I still didn't entirely understand. When I didn't respond, Mason gave me a puzzled look. â€Å"Don't you want to?† â€Å"I don't know, Mase.† I stared down at the floor, avoiding his eyes as I studied the toe of my shoe. â€Å"I mean, I don't want Strigoi out there, attacking people either. And I want to stop them in theory†¦ but, well, we aren't even close to being ready. I've seen what they can do I don't know. Rushing in isn't the answer.† I shook my head and looked back up. Good grief. I sounded so logical and cautious. I sounded like Dimitri. â€Å"It's not important since it's not going to happen anyway. I suppose we should just be excited about the trip, huh?† Mason's moods were quick to change, and he turned easygoing once more. â€Å"Yup. And you'd better try to remember how to ski, because I'm calling you out on knocking down my ego out there. Not that it's going to happen.† I smiled again. â€Å"Boy, it sure is going to be sad when I make you cry. I kind of feel guilty already.† He opened his mouth, no doubt to deliver some smartass reply, and then caught sight of somethingor rather, someonebehind me. I glanced over and saw Dimitri's tall form approaching from the other side of the gym. Mason swept me a gallant bow. â€Å"Your lord and master. Catch you later, Hathaway. Start planning your ski strategies.† He opened the door and disappeared into the frigid darkness. I turned around and joined Dimitri. Like other dhampir novices, I spent half of my school day on one form or another of guardian training, be it actual physical combat or learning about Strigoi and how to defend against them. Novices also sometimes had practices after school. I, however, was in a unique situation. I still stood by my decision to run away from St. Vladimir's. Victor Dashkov had posed too much of a threat to Lissa. But our extended vacation had come with consequences. Being away for two years had put me behind in my guardian classes, so the school had declared that I had to make up for it by going to extra practices before and after school. With Dimitri. Little did they know that they were also giving me lessons in avoiding temptation. But my attraction to him aside, I was a fast learner, and with his help, I had almost caught up to the other seniors. Since he wasn't wearing a coat, I knew we'd be working inside today, which was good news. It was freezing out. Yet even the happiness I felt over that was nothing compared to what I felt when I saw what exactly he had set up in one of the training rooms. There were practice dummies arranged on the far wall, dummies that looked amazingly lifelike. No straw-stuffed burlap bags here. There were men and women, wearing ordinary clothes, with rubbery skin and different hair and eye colors. Their expressions ranged from happy to scared to angry. I'd worked with these dummies before in other trainings, using them to practice kicks and punches. But I'd never worked with them while holding what Dimitri held: a silver stake. â€Å"Sweet,† I breathed. It was identical to the one I'd found at the Badica house. It had a hand grip at the bottom, almost like a hilt without the little side flourishes. That was where its resemblance to a dagger ended. Rather than a flat blade, the stake had a thick, rounded body that narrowed to a point, kind of like an ice pick. The entire thing was a little shorter than my forearm. Dimitri leaned casually against the wall, in an easy stance he always pulled off remarkably well, despite being almost six-seven. With one hand, he tossed the stake into the air. It spun around in a cartwheel a couple of times and then came down. He caught it hilt first. â€Å"Please tell me I get to learn how to do that today,† I said. Amusement flashed in the dark depths of his eyes. I think he had a hard time keeping a straight face around me sometimes. â€Å"You'll be lucky if I let you hold it today,† he said. He flipped the stake into the air again. My eyes followed it longingly. I started to point out that I had already held one, but I knew that line of logic would get me nowhere. Instead, I tossed my backpack on the floor, threw off my coat, and crossed my arms expectantly. I had on loose pants tied at the waist and a tank top with a hoodie over it. My dark hair was pulled brutally back into a ponytail. I was ready for anything. â€Å"You want me to tell you how they work and why I should always be cautious around them,† I announced. Dimitri stopped flipping the stake and stared at me in astonishment. â€Å"Come on,† I laughed. â€Å"You don't think I know how you work by now? We've been doing this for almost three months. You always make me talk safety and responsibility before I can do anything fun.† â€Å"I see,† he said. â€Å"Well, I guess you've got it all figured out. By all means, go on with the lesson. I'll just wait over here until you need me again.† He tucked the stake into a leather sheath hanging from his belt and then made himself comfortable against the wall, hands stuffed in pockets. I waited, figuring he was joking, but when he said nothing else, I realized he'd meant his words. With a shrug, I launched into what I knew. â€Å"Silver always has powerful effects on any magical creatureit can help or hurt them if you put enough power into it. These stakes are really hard-core because it takes four different Moroi to make them, and they use each of the elements during the forging.† I frowned, suddenly considering something. â€Å"Well, except spirit. So these things are supercharged and are about the only non-decapitating weapon that can do damage to a Strigoibut to kill them, it has to be through the heart.† â€Å"Will they hurt you?† I shook my head. â€Å"No. I mean, well, yeah, if you drive one through my heart it will, but it won't hurt me like it would a Moroi. Scratch one of them with this, and it'll hit them pretty hardbut not as hard as it'd hit a Strigoi. And they won't hurt humans, either.† I stopped for a moment and stared absentmindedly at the window behind Dimitri. Frost covered the glass in sparkling, crystalline patterns, but I hardly noticed. Mentioning humans and stakes had transported me back to the Badica house. Blood and death flashed through my thoughts. Seeing Dimitri watching me, I shook off the memories and kept going with the lesson. Dimitri would occasionally give a nod or ask a clarifying question. As the time ticked down, I kept expecting him to tell me I was finished and could start hacking up the dummies. Instead, he waited until almost ten minutes before the end of our session before leading me over to one of themit was a man with blond hair and a goatee. Dimitri took the stake out from its sheath but didn't hand it to me. â€Å"Where are you going to put this?† he asked. â€Å"In the heart,† I replied irritably. â€Å"I already told you that like a hundred times. Can I have it now?† He allowed himself a smile. â€Å"Where's the heart?† I gave him an are-you-serious look. He merely shrugged. With overdramatic emphasis, I pointed to the left side of the dummy's chest. Dimitri shook his head. â€Å"That's not where the heart is,† he told me. â€Å"Sure it is. People put their hands over their hearts when they say the Pledge of Allegiance or sing the national anthem.† He continued to stare at me expectantly. I turned back to the dummy and studied it. In the back of my brain, I remembered learning CPR and where we had to place our hands. I tapped the center of the dummy's chest. â€Å"Is it here?† He arched an eyebrow. Normally I thought that was cool. Today it was just annoying. â€Å"I don't know,† he said. â€Å"Is it?† â€Å"That's what I'm asking you!† â€Å"You shouldn't have to ask me. Don't you all have to take physiology?† â€Å"Yeah. Junior year. I was on ‘vacation,' remember?† I pointed to the gleaming stake. â€Å"Can I please touch it now?† He flipped the stake again, letting it flash in the light, and then it disappeared in the sheath. â€Å"I want you to tell me where the heart is the next time we meet. Exactly where. And I want to know what's in the way of it too.† I gave him my fiercest glare, whichjudging from his expressionmust not have been that fierce. Nine out of ten times, I thought Dimitri was the sexiest thing walking the earth. Then, there were times like this †¦ I headed off to first period, a combat class, in a bad mood. I didn't like looking incompetent in front of Dimitri, and I'd really, really wanted to use one of those stakes. So in class I took out my annoyance on anyone I could punch or kick. By the end of class, no one wanted to spar with me. I'd accidentally hit Meredithone of the few other girls in my classso hard that she'd felt it through her shin padding. She was going to have an ugly bruise and kept looking at me as though I'd done it on purpose. I apologized to no avail. Afterward, Mason found me once again. â€Å"Oh, man,† he said, studying my face. â€Å"Who pissed you off?† I immediately launched into my tale of silver stake and heart woes. To my annoyance, he laughed. â€Å"How do you not know where the heart is? Especially considering how many of them you've broken?† I gave him the same ferocious look I'd given Dimitri. This time, it worked. Mason's face paled. â€Å"Belikov is a sick, evil man who should be thrown into a pit of rabid vipers for the great offense he committed against you this morning.† â€Å"Thank you.† I said primly. Then, I considered. â€Å"Can vipers be rabid?† â€Å"I don't see why not. Everything can be. I think.† He held the hallway door open for me. â€Å"Canadian geese might be worse than vipers, though.† I gave him a sidelong look. â€Å"Canadian geese are deadlier than vipers?† â€Å"You ever tried to feed those little bastards?† he asked, attempting seriousness and failing. â€Å"They're vicious. You get thrown to vipers, you die quickly. But the geese? That'll go on for days. More suffering.† â€Å"Wow. I don't know whether I should be impressed or frightened that you've thought about all this,† I remarked. â€Å"Just trying to find creative ways to avenge your honor, that's all.† â€Å"You just never struck me as the creative type, Mase.† We stood just outside our second-period classroom. Mason's expression was still light and joking, but there was a suggestive note in his voice when he spoke again. â€Å"Rose, when I'm around you, I think of all sorts of creative things to do.† I was still giggling about the vipers and abruptly stopped, staring at him in surprise. I'd always thought Mason was cute, but with that serious, smoky look in his eyes, it suddenly occurred to me for the first time that he was actually kind of sexy. â€Å"Oh, look at that,† he laughed, noticing how much he'd caught me off guard. â€Å"Rose gets rendered speechless. Ashford 1, Hathaway 0.† â€Å"Hey, I don't want to make you cry before the trip. It won't be any fun if I've already broken you before we even hit the slopes.† He laughed, and we stepped into the room. This was a class on bodyguard theory, one that took place in an actual classroom instead of the practice field. It was a nice break from all the physical exertion. Today, there were three guardians standing at the front who weren't from the school's regiment. Holiday visitors, I realized. Parents and their guardians had already started coming to campus to accompany their children to the ski resort. My interest was piqued immediately. One of the guests was a tall guy who looked like he was about a hundred years old but could still kick major ass. The other guy was about Dimitri's age. He had deeply tanned skin and was built well enough that a few of the girls in class looked ready to swoon. The last guardian was a woman. Her auburn hair was cropped and curly, and her brown eyes were currently narrowed in thought. As I've said, a lot of dhampir women choose to have children rather than follow the guardian path. Since I too was one of the few women in this profession, I was always excited to meet otherslike Tamara. Only, this wasn't Tamara. This was someone I'd known for years, someone who triggered anything but pride and excitement. Instead, I felt resentment. Resentment, anger, and burning outrage. The woman standing in front of the class was my mother.

Inflation and Money - 2003 Words

Unit 1: Explain how cigarettes could be called â€Å"money† in prisoner-of-war camps of World War II (refer to one or more of the three functions or characteristics of money in you answer). In World War II, each prisoner received the same parcel included cigarettes. They would exchange the good and services through barter economy. Over the time, the economic in the camps developed and the bartering system became more complicated. It was difficult to satisfy a â€Å"double coincidence of want†. In order to simplify the system, cigarettes were widely used as â€Å"money†. Cigarettes performed the function of money as a medium of exchange. This was because they were generally accepted among the prisoners. Firstly, they provide convenience for prisoner†¦show more content†¦Unit 6: In no more than 300 words, explain how changes in the Bank of England’s official rate can modify the impact of foreign inflation on domestic inflation. Since the Central Bank has the exclusive right to issue money in the economy, it can have extensive influence on the determination of interest rate in financial markets and in the economy as a whole, by adjusting the interest rate on short-term loans to financial institutions. Central Bank interest rates on these loans therefore have the most immediate impact on other short-term interest rates in the money market. By influencing interest rates, monetary policy then has an effect on the savings and expenditure decisions of individuals and corporate. [pic] In case the Central bank reduces the interest rate, increasing demand for credit, because lower lending rates can also encourage the consumption and investment. As a rule, Equity and housing prices increase the wealth of individuals, which in turn increase their propensity and ability to borrow, and thereby their propensity and ability to spend. Thus, the asset prices rise up. However, the official rate decrease unexpectedly the domestic currency will depreciate. The foreign investor withdraw saving in the UK. The demand for pounds with therefore decrease, the depreciation will make exported goods and services relatively cheaper than before. Finally, the official rate has anShow MoreRelatedInflation And The Value Of Money1710 Words   |  7 PagesInflation is defined as a sustained increase in the general level of prices for goods and services [1]. It is measured as an annual percentage increase. When there is an inflation, the same amount of money buys a smaller percentage of a good or service compared to previous years. This means the value of money drops when inflation occurs. In economics, the value of money is viewed in terms of purchasing power, which is the real, tangible goods that can be bought by money. When inflation goes up, thereRead MoreEssay on Money And Inflation578 Words   |  3 Pages Money and Inflation The nations economic stability has many factors which amount to inflation. Inflation may be caused by a number of problems, but there are some specific examples which have direct control over which way the prices and spending sway. Inflation simply means that the American dollar, in this case, is less valuable on the foreign exchange market and the gold standard is moved to higher prices; which simply means that more currency is needed to exchange for gold. Any slight changeRead More Money Supply and Inflation Essay1724 Words   |  7 PagesMoney Supply plays an important role in macroeconomic analysis, especially in selecting an appropriate monetary and fiscal policy. Considerably, I am yet to come across theoretical work that has been done on this topic (analysis money supply and its impact on other variable i.e. inflation, interest rate, real GDP and nominal GDP). 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Marriage in the 17th Century - 1546 Words

The seventeenth century was a fascinating time period of English history, and has always got a lot of attention from historians around the world. In this time period men had all the power over their women and had all the laws on their side of a marriage. During the seventeenth century marriages were slowly escaping the time when a lot of marriages were arranged by parents and people where starting to be able to choose their partners for themselves. This paper is going to be providing an outline of the seventeenth-century English marriage. Thing such as basic marriage values, concluding marriages, duties of a married woman and even possibilities of divorce were a lot different back then than they are now. In seventeenth-century England,†¦show more content†¦While the number of arranged marriages was decreasing as opposed to the previous centuries in England, young women were still expected to consult their parents and relatives on their choice of a marriage partner. Generally the poorer a women was the greater freedom she had in choosing her future husband. Even people from poor families were expected to ask for their parents blessing even though money had a small part to play here. In this time period there were several criteria which decided that a couple was appropriate for one another to get married. Among those things the most important were that the couple should be of similar age, financial circumstances, background and have similar religious beliefs. Also having similar interest was beneficial as well. The husband and wife should like, or love, and respect one and look inner qualities and not just looks. It was always believed that love came after a couple was already married instead of them falling in love which would lead to marriage. One of the main qualities that a man looked for in a woman was her ability to run the household efficiently. This was normally the biggest factor for a man in his choice of a wife, especially in less fortunate families. A word ‘helpmate’ was a term commonly use when referring to a good wife during this time period in England. While being a good house wife was important, romantic love would sometimes overpower the want to have a woman who wasShow MoreRelatedJohn Dryden s A Song From A Marriage1350 Words   |  6 PagesIn John Dryden’s A Song from a marriage à   la mode a women speaks of sexual freedom. The Woman is in a marriage buy she is thinking of finding a lover outside of her relationship If I have pleasures for a friend, and farther love in store, what wrong has he whose joys did end, and who could give no more? (Dryden). She feels that at this point in their marriage there was no point of procrastinating their love and that it was time to make change We l ov d, and we lov d, as long as we could, TillRead MoreThe Tempest By Julie Taymor1446 Words   |  6 Pages4. The most recent version of The Tempest by Julie Taymor changes Prospero to â€Å"Prospera,† a female figure played by Helen Mirren. Consider both 17th-century gender issues and more recent ones in examination of the play’s discussions about virginity, marriage and femininity. In the 17th century, the issue with the gender roles being switched would be presumed as something different. I use ‘different’ because it could go both ways, it could be perceived as something good or bad to the audience. WeRead Moreï » ¿Would it be correct to say that in Tom Jones, Fielding considers marriage to be a mere socio- economic arrangements under which women feel continuously suppressed? Discuss.1005 Words   |  5 Pagesï » ¿Would it be correct to say that in Tom Jones, Fielding considers marriage to be a mere socio- economic arrangements under which women feel continuously suppressed? Discuss. The true history of the English countryside has been centred throughout in the problems of property in land, and in the consequent social and working relationships. By the eighteenth century, nearly half of the cultivated land was owned by some five thousand families. As a central form of this predominance, four hundred familiesRead MoreThe Freedom Of The Free Love Movement Essay1582 Words   |  7 Pagesshould be up to that individual. Free lovers challenged the dominant ideology at that time and pushed boundaries of religion and politics. Marriage during the colonial period was closely linked to reproduction due to the heavy influence religion had on European settlers. However, as they became introduced to Native American cultural practices of marriage their once held beliefs shifted. This shift correlates with the change in a consumer/ industrial society. Religion moved out of the bedrooms andRead MoreThe Flea By John Donne Essay923 Words   |  4 Pagesunderlying features regarding the themes of marriage and even religion. Basically, the poem in its entirety consists of vague, flattery language to reference sex without ever speaking directly of it. Each new rhyme scheme result in the introduction of a new idea. Within the first four lines, the speaker sets up the idea of bloodlines mixing, both literally and figuratively. The mingling of the two characters’ blood inside the flea symbolizes the act of marriage and the woman’s potential loss of â€Å"maidenhoodRead MoreReligion And Religion1112 Words   |  5 Pagesgoal to make their society and way of living connected to God in every way, shape, and form. In the seventeenth century this standard to keep God by your side has deeply affected politics and lawmaking, and has even caused some people to be continuously persecuted. From the strength of their religious beliefs stemmed these radical ideas, which deeply affected lives in the 17th century. Though these ideas were a way of life at one point in time, if these ideas were applied t o our government todayRead MoreWilliam Shakespeares Taming of the Shrew William Shakespeare’s romantic comedy, The Taming of1100 Words   |  5 Pagesfor the freedom of the individuals intellect through acceptance and celebration. This emphasis on â€Å"individualism† however, did not proceed to influence the highly sexist views of the time, which had transgressed from previous centuries and continued through to later centuries. Gender inequality was prevalent, with brides (and females in general) being viewed as merely commodities. Loyalty is presented as an essential quality for all â€Å"proper women† and male attitudes towards women are explored throughRead MoreThe Movement Of The 18th And 17th Century Essay1526 Words   |  7 Pagesinclude Greek Poetry Schools (6th century BC), Provencal literature (11th-12th century), Silican court poets (mid 13th to early 14th centuries), Elizabeth and Romantican poets (late 16th- 17th century), American Transcendentalists, Paris expatriate (Surrealist) and Beat poets (20th Century). These movements have been fundamental to change the course of poetry in and out of their eras. This essay will be a critical literature review of the movement in the 16th and 17th century, the period after the ItalianRead MoreJudith Leyster s Self Portrait795 Words   |  4 Pagesexplores throughout her works. Leyster worked for several years around Utrecht and Amsterdam in the Netherlands, however, by 1633, she was a member of the Haarlem Guild of St. Luke. She was one of the only women accepted into this guild in the 17th century, but within two years of her joining the guild, she already had 3 male apprentices. Leyster even had her own workshop, with paying pupils. This was truly rare for a woman in her time. However, she did live in northern Europe (Netherlands), andRead MoreSome Reflections Upon Marriage By Mary Astell1119 Words   |  5 PagesMarriage is not what it seems Marriage seems like the perfect love story for woman in society, however throughout the 17th century this was not the case for many feminist writers. The pamphlet, Some Reflections Upon Marriage was written by Mary Astell at a time in history where many feminist writers used their voice. Mary Astell was one of the most influential and conservative feminists of this time. She, along other feminist writers, wrote for gender equality. These writers believed the only way

Compare and Contrast Movie and Book of Fahrenheit 451

Jacquelyn B. David Professor V. P. ENG 214 Fahrenheit 451 â€Å"Books can not be killed by fire. People die, but books never die. No man and no force can abolish memory... In this war, we know, books are weapons. And it is a part of your dedication always to make them weapons for man s freedom.† -Franklin D. Roosevelt Exactly these are the words that fueled the story of Fahrenheit 451. Fahrenheit 451 is a story that was written through a novel by Ray Bradbury and produced into a movie shortly after directed by Francois Truffaut. Both the novel and movie captured an envisioned utopian society through the activity of book burning. Book burning is a harsh regime in oppressing ideas of a culture or within a community. Both novel and†¦show more content†¦With many scenes taken away because some characters are never mentioned took away a lot of the overall meaning of the story. I didn’t feel to relate to the movie as much as I did with the novel. Leaving an apt amount of scenes out, took away some of the anticipation I was building up to. Which made me a bit disappointed. The movie clearly also didn’t illustrate the war at the end as it did in the novel. The novel clearly stated that war had been declared and it added on to Montag’s frustration with his society because his community continues to live like war is unimportant. None of it was ever mention in the movie. Regardless of the reason Truffaut didn’t put that scene in the movie, I thought it was important to show because it gave hope for a new civilization to be rebuilt and a sense of contentment for it’s audience. Even if the movie lacked components mentioned in the novel, it did wholly complete the rest of the story. Now, I am saying it didn’t feel complete to me because I watched the movie after reading the book and I noticed certain scenes, characters, and elements were missing. I’m sure Truffaut intended not to illustrate those scenes for his own reasoning. I assume that maybe the technology they had at that time was limited. The mechanical hound for example, whichShow MoreRelatedThe Social Commentary And Style Within Fahrenheit 4511825 Words   |  8 Pagesuse of diction while also emphasizing the dark society to show the readers that the people think their so ciety is perfect but it is actually the opposite. Part 1: The Social Commentary and Style within Fahrenheit 451 First off, an example of dystopian literature is Ray Bradbury’s Fahrenheit 451. In the novel, Bradbury illustrates a society without the freedom of intellectual thinking from literature and replaces it with artificial entertainment. People in the society lack compassion or quality ofRead MoreIntroduction : How ve He Do That?10829 Words   |  44 Pageson the book the back when I didn’t know any better but as I grew as a reader I realized that Aslan is an apt symbol of Jesus Christ himself. All the evidence pointed towards him as a clear match. This interpretation doesn’t necessarily apply to the religious kind but it does help to have some religious literacy. Once you realize that Aslan is the abstract symbol of Jesus Christ you can perceive him as a leader, magnificent, holy, highly admired and loved by many. As expected, in the book Aslan isRead MoreDeveloping Management Skills404131 Words   |  1617 PagesSuzanne Duda Lead Media Project Manager: Denise Vaug hn Full-Service Project Management: Sharon Anderson/BookMasters, Inc. Composition: Integra Software Services Printer/Binder: Edwards Brothers Cover Printer: Coral Graphics Text Font: 10/12 Weidemann-Book Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on appropriate page within text. Copyright  © 2011, 2007, 2005, 2002, 1998 Pearson Education, Inc., publishing as Prentice Hall, OneRead More_x000C_Introduction to Statistics and Data Analysis355457 Words   |  1422 PagesComputer, Inc. Used herein under license. Library of Congress Control Number: 2006933904 Student Edition: ISBN-13: 978-0-495-11873-2 ISBN-10: 0-495-11873-7 ââ€"   To my nephews, Jesse and Luke Smidt, who bet I wouldn’t put their names in this book. R. P. ââ€"   To my wife, Sally, and my daughter, Anna C. O. ââ€"   To Carol, Allie, and Teri. J. D. ââ€"   About the Authors puter Teacher of the Year award in 1988 and received the Siemens Award for Advanced Placement in mathematics in 1999Read MoreLogical Reasoning189930 Words   |  760 PagesDowden This book Logical Reasoning by Bradley H. Dowden is licensed under a Creative Commons AttributionNonCommercial-NoDerivs 3.0 Unported License. That is, you are free to share, copy, distribute, store, and transmit all or any part of the work under the following conditions: (1) Attribution You must attribute the work in the manner specified by the author, namely by citing his name, the book title, and the relevant page numbers (but not in any way that suggests that the book Logical Reasoning

Retrieved from Sustainable Event Alliance Event Planning

Question: Describe about the Retrieved from Sustainable Event Alliance for Event Planning? Answer: The value of Academic skills in event industry Event as defined by Oxford dictionary means A thing that happens or takes place, especially one of importance or, A planned public or social occasion. These convey that events are of significance to people both personally and professionally. The Event Industry caters to these needs by leveraging people with skills across various parameters like project management, marketing, branding, creative designing, logistics, public speaking to name a few. Broadly events could be classified as Corporate, Cultural, and Professional Community centric events. Event conceptualizing, planning and execution require a combination of the above mentioned skills to make these events successful and impactful. One of the key challenges in measuring this is due to the intangibility nature of the service offered. Hence caliber, reputation and experience of handling these events by event companies and their workforce can greatly impact the perception of the event seekers(Event Industry). Academic skills are those skillset, which can serve as a subset to being successful in the event industry. As an example, during academic years preparing and appearing for examinations is a key event to brand our success for a particular course or degree. Planning efficiently to make our study time table, managing enough time gaps between studying and relaxing hours, creating smaller milestones to gauge progress and maintaining an ambience to keep us focused towards our objective are some of the activities that we do. The essence here is that by way of preparing for our exams we also build these intricate skills to prepare ourselves for the event Examination. Any individual working as part of event industry knows that there is no fixed formula to ensure that the event is a success. Writing a key note speech is as important as deciding how to make it effective considering you get only a time slot of 5 minutes to address it. The point here is to be precise and relevant than knowledgeable and elegant in writing. In a branding exercise it is important to understand who the target audience is and accordingly customize the intended message. A good stage coordinator will have to ensure that the flow of speakers/events is so smooth that audience shouldnt feel confused. It is as important as maintaining your daily routine for the list of tasks to be performed for the day or arranging his/her thoughts in an assignment answer to help the evaluator understand the flow of ideas. A company which is organizing a large scale conference for its delegates workforce coming down from across the globe will look up to an event company that can look at cross-cultural aspects, the right mix of food and beverages and be sensitive to religious and cultural needs. The team working on it will definitely look to make the event success by meticulous planning, grand reception and aesthetic taste of decorations. Our experience during academic years with different people across cultures and spending time with them during trainings, classroom discussions, evening meals or sharing dorms will definitely imbibe us with what their specific needs and wants are. Well it could be a possibility that these minor observations could help a great deal in planning for this large-scale conference. The principal dimension to leveraging academic skills in event industry is having a sense of situation handling. A case study discussion or a group presentation is also an event for a student or a group due to its significance associated with grade and appreciation by the faculty/evaluator. From designing the solution content to the order of presenters, speech and diction to tone of presentation, engaging the listeners and addressing their concerns, all of which together test how efficiently they are able to manage the crowd and convey the intent of the event. Adhering to the time window is also a challenge as run-time situations can throw you out of schedule. As an example a minor clarification during a discussion can impact the time allocated to present further content. Making decisions in such scenarios may not be part of our Academic goal but they invariable become the major influencer in convincing the evaluator on how good or bad our work is. It is these skills that we can cros s-leverage when we pursue our careers in event management as these are based on our judgment, intuition and experience. If not actively, we have at least passively built it as our capability. For example showing exemplary oratory skills can go a long way in making us a successful host/speaker who loves managing events, engaging the crowd, sharing ideas and making that connect with the audience. Secondly technology handling skills have become a need now. Making use of technological skills picked up during academics can go a great way in handling many situations. Power point presentation (PPT) is one of the most common and popular ways of addressing people. Skill on using PPT is very much developed during academic years. Learning shortcuts, way around if one thing doesnt work is useful skills during event preparation and delivery. Sharing podcasts, multi-location conferences, screening shows all involve handling technical equipments and most if not all are also used during our academic years. The third dimension to academic skills is the core academic knowledge about the event industry. An NGO event for fund raising shall require people with knowledge of the cause for which the NGO supports. The entire event design, dcor, invitees, message and choosing right event partners, all of this will revolve around how well they understand the cause (Smith, S. 2011). Another area that lends a helping hand during our academic life is exposure to extra-curricular activities. They help us in shaping many skills useful in the event industry. The time we spend in participating and managing various events as part of college festivals, organizing conferences, sports meet, annual cultural festivals, farewells. All these events look at engaging students to work as teams and lend a platform to those who want to build their careers in this field. These experiences add to our understanding on how events are to be planned as in, the right amount of decor to make it ambient or dealing with caterers to decide on the menu, making the right key note speech or identifying the right host, all of these are some of the intricate decisions that any event would also require. The sense of achievement when people leave satisfied after the event or discuss about it in social media or even a simple feedback in person can make us realize how important our skills were in mak ing the event a success (Van der Wagen, L. 2010). An industrial visit or an excursion with the college group will have many decisions to be made. Making groups based on compatibility, budget decisions to optimize stay, managing transport arrangements are all important to make outing for these students a memorable experience. After all they have paid for it and they sure are bound to derive some value out of it. A student who stands up to being the point of contact will definitely might endure this experience in the long term when this simple experience of managing crowds needs and expectations goes a long way in helping him understand how crowds interact and what could be possible conflict areas like seating arrangements, addressing special needs etc.., Another perspective to using academic skills is how creativity, liking for people and decision-making ability can be groomed during academic years. Lot of time our academic learning is very individualistic in motive. I learn this, so I can do this and I can achieve this for myself. Few of us blend creativity and decision making to do something for the masses. Event industry looks up to these people who can creatively design events and make crucial decisions on behalf of these people. As an example a particular community is lacking access to healthcare due to political negligence in that region. In order to convey their need, having the right event team who can leverage the above mentioned skills and help them in reaching out to right people will require some nerves of steel type decision making as this can become national headlines. Any instances of failures and learning during academic years will definitely strengthen decision making in such scenarios as they can imagine the scale o f impact of things go the wrong way(Entrepreneur.com). Hence collectively seeing it, we understand that academic skills indirectly or directly impact how well we would thrive in events industry. The wide gamut of skills requirement make it challenging to inculcate it in a course. All the learning that people get as part of their academic journey slowly help them realize that many of these situations can be extended to event management activities. They serve them as a pre-cursor to how they would respond or handle if these situations arise. Also academic skills have contributed in understanding different industries that use events to promote brands, product launches, educate customers, support causes, or provide clarifications when things go wrong. Knowledge of this helps us in deciding what kind of event should be conducted for the associated need. Celebrity marriage, election campaigns, support for Ebola or opposing a certain bill, they all engage event companies to pass on the message to the intended audience. Thus, gauging the value o f academics quantitatively is very difficult because we understand that these learning are mostly intangible and qualitative. References: Entrepreneur.com. (n.d.). https://www.entrepreneur.com/downloads/guides/1313_Event_Planning_ch1.pdf. Retrieved from Entrepreneur.com: https://www.entrepreneur.com/downloads/guides/1313_Event_Planning_ch1.pdf Event Industry. (n.d.). Retrieved from Sustainable event alliance: https://sustainable-event-alliance.org/how-to-guides/events/ Smith, S. (2011). eveloping enterprise skills in students. Inspiring Enterprise, 74. Thomas, R., Thomas, H. (2013). What are the prospects for professionalizing event management in the UK?. Tourism Management Perspectives, 6, 8-14. Van der Wagen, L. (2010). Event management. Pearson Higher Education AU.

Underground vs. Commercial Rappers free essay sample

Nevertheless Imaginations tree trunk they are trying to refurbish hip hop and shift it towards mainstream as it once was. Which if you were to ask my opinion, exactly what the industry needs. The talented mainstream artists Is varied apparently, but Its the lyrical content that Is missing. Thats why a majority would say the underground is a better field. When we grow a bore of the same things we hear on the radio they look for more resources. I reflect back to listening to the radio shows Id wake up to, and got hooked to it. Now kids find the new they want and placeIt on their Pod, and they find out that at times the underground has better music. Some people would say they dont like rap music period. Others who argue that they dont like either the commercial artist or underground artist. The first thing I ask when I hear either argument is why? The most common answer I hear Is its horrible! However anyone who says rap is horrible has only heard the horrible music they over play on the radio and MAT. We will write a custom essay sample on Underground vs. Commercial Rappers or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page If you ever heard anyone rap that actually has lyrical skills, you quickly begin to see the poetry behind us not that Im not a fan of any of the famous rappers like Ill Wayne, T. Gucci Mane, Notorious 8. 1. G, Outpace, etc. Its simply because I relate, and tend to show respect to those that rap about other issues other than what sells. Id rather listen to things that are more realistic. The theory of selling out is farfetched from where I think the underground music affiliation is at this phase. Before the internet, artists were selling music at an all time high. The problem of music indefinite Is something that has no value to most and Is non consumable.The ideal of selling out hasnt ran across my mind after all these years, because I Just dont know if thats a possibility. Changing your music for whatever purpose being money or fame is up to you. Now and days, an artist can hardly live off of their music unless they tour endlessly, along many other situations. How can some participate when they have a Job they have a dedication to? I have no idea. I think it is a dated notion with the way things are conducted today and becoming more impossible in the industrial scene seeing as we have never been that commercially feasible since the ass anyway.I have made observed, and made my decision of the underground Industry throughout a time frame of about 7 years (not long yet enough) and Im aware that there are plenty of individuals that have become more appreciative when it come to the types of Hip Hop and music in I OFF underground music. I have to agree that some people become ignorant to one or the other. However, it is not Just in underground or commercial, but in all aspects of music period. My perception on commercial vs.. Underground is that each genre has its own purpose in the music industry.What set apart besides from style (instrumentals, delivery, etc. ) is the lyrics. Most often, lyrics meaning goes past a shallow phase in underground and is more attractive to me when artists connect personally with their content and is not spruced up to fit any artist. But when its all said and done, I enjoy a mix of music whether it is mainstream or underground. I have been an underground (independent artist, signed to small independent labels or no label at all) artist since the sass, when my oldest brother introduced me to rap music. I am a supporter of the underground hip-hop movement.Being an aspiring artist, to tell the truth, their vocabulary and topics are well thought about, felt, and delivered than commercial artist. Where in the world are you going to get instituting dexterity in any other music? Gucci Mane is one of the most common underground artist out now. He has made a three sixty from an underground to commercial artist. Some of his first reviews people would say his rap music is bad, and hypocritical. Now that hes a commercial artist you hear how he raps about how hard life is, yet he lives in a fifty million dollar home. His music doesnt have any flow or real structure. Real music takes talent and anyone can rhyme to a beat. Ask yourself, is only fulfilling advertisement in his contract? The point is, if you arent made for it, you probably will not have an opportunity to o commercial. Back when Outpace and Biggie where both commercial artist, they also had respect, Back then a guy from New Jersey ardently defended Naughty by Nature, because he didnt like Trench, so I think some commercial artists still do have street credibility, depending on how commercial they are.On the opposing hand, accent diluted his material for the mainstream. Commercial rap is not the problem, Just a helping hand. The problem is the industry; it is because the industry that someone like Aims can drop a rhetorical rhyme about being hot and then telling us to move speaking of the rapture like Anita Baker, such garbage. The same industry that buries artist leaving them stuck putting out mix tapes because they wont play nice and conform with the game. Some artist may have ticked off some executives and other artist they were behind.Whats crazy about our music today is that its sort of hard to distinguish the quality. Besides, when compared to what the charts use to consist of Just two or so years back, its hard to see the things that are accepted as top forty or the genre is horrible. Yet, when you conceder this generation as one with what was, there is a great difference. However lets say the President passed a music care, and we had to make an option of one generation of music sound to start today with and take off from there.What choice would you make, to discontinue all of todays music sounds and try it all over with the asss or even asss sound, or would you choose to not bother with it at all and Just let things continue as is? Which generation would you choose to represent what was once done, or would we rather see how the current unravels? I say its complex to decide what is horrible. I wouldnt choose to turn my back on todays sound and go back to those days of music, in spite of the fact thats where some of the best sound of our time is.If the president were to cancel out all the commercial trends and make the underground sound the new commercial trend, can it still be considered as good as it was when it was underground? A big issue overlooked, is a problem with the commercial rappers is once theyve gone commercial, many of them lose the hunger and fight which allowed them to ascend to such a level in the fist place. Also the corporate influence allowed many of them to take their art to a different direction compromising their integrity for a few extra sales. Perception and personal stances on music definitely factor in a major ways.